PRESENTS :
MAGAZINE #1
INTERNATIONAL MAGAZINE
March 2006
ISSUE # 2
presents :
July - September 2006
Edited by:
PUBLICISTAS.ORG
Hi there punks !
Here is the second issue of This is not corporate bla bla bla,
“Fictional Product” issue
Creative Director:
REVOLUTIONART
international and you’ll see that in the next
Nelson Medina
magazine !
pages.
contact us:
Italy won the World Cup, the 6- We are waiting for your
hola@publicistas.org
6-06 was not an apocalyptic day participation in the next issue.
and the world still alive. Now you Make your design, photo, ad, or
Phone: +51 1 7923794
can sit, relax ... and enjoy the whaterver relative to our theme
magazine.
and send it.
Don’t forget to support our wok
In this number we have spectacular by spreading this magazine on the
samples of designers showing us internet. Feel free to redistribute,
what the word “creative” means. and share it with your friends.
In the interviews: the colorful Jay And use our buttons!.
Lim from Malaysia and Michael
Dawidowicz, Creative Director of Revolutionart
is
the
most
http://www.publicistas.org/revolutionart
Urban Collective.
destructive virus for uninspired
minds. And we hope to destroy
The world of the publicity is yours.
changing. More and more people Enjoy this issue.
is participating without having to
All the samples are
be advertisers. A good example Cheers!
propierty of their
respective owners and can’t
of that are blogs, podcasts
be reproduced whithout
videoblogs and fotologs.
permission.
We like to know about your Nelson Medina
Don’t steal, be influenced
personal world. If you have any Creative Director
and create !
creative project we like to support Publicistas.org
We are always open for
that.
nelson@publicistas.org
people who want to
That’s the main purpose of this
contribute to our magazine.
magazine... to stimulate creative
Fresh ideas, nice designs
and people with good
minds, to integrate them and
vibrations.
to create something really
revolutionary.
REVOLUTIONART
CONTRIBUTORS
Issue 2
Eugenio García Villarreal
Christian Göhring
México
Munich, Germany
artecnl@hotmail.com
webmaster@k-risma.de
artecnl.bravehost.com
www.k-risma.de
Marden Pineda Martinez
Dil Toro
El Salvador
Barcelona, Spain
mardenpineda@gmail.com
diltoro@yahoo.es
WenWu
Tianjin, China
moyi_28@hotmail.com
Nelson Medina
Jean-Paul Raabe
http://moyi.51r.com
Perú
Berlin, Germany
nelson@publicistas.org
info@jeanpaulraabe.de
Manuel Reátegui
Peru
Jay Lim
Juan Carlos León Rendón
Gerald Andía
capachun@hotmail.com
Malaysia
Venezuela
Lima, Perú
www.mochileros.org
animator_alive7@hotmail.Com
leon.jcarlos@gmail.com
calaperu@hotmail.com
www.jaylimdesign.com
Michael Dawidowicz
Saverio Evangelista
Valeria Prieto
Melbourne, Australia
Yee Hui Jing
Italy
Chihuahua, México
michael@urbancollective.com
Malaisya
saverio@studiocomunico.com
cocteautwins.va@hotmail.com
www.urbancollective.com
sherry_091784@yahoo.com
YOUR
ADVERTISEMENT
COULD BE HERE
REVOLUTIONART INTERNATIONALMAGAZINE
{ developing strong identities }
Frequency: Every two months
Price: Free
WWW.VISUALWEBLABS.COM
Estimated downloads per issue: 2,500
Estimated readers per issue: 15,000
Readers origin (Issue 1 results):
1.Europe 41.7 %
2.South America 23.9 %
3.Asia 12.9 %
4.USA and Canada 9.8 %
5.Centroamérica 5.3 %
6.Australia 1.9 %
7.Africa 0.8 %
others 3.7 %
Promoted in AD festivals, magazines, blogs, podcasts and lot of
alliances on Internet.
HERE WE GO . . .
- issue 2
EUGENIO GARCÍA - MÉXICO
- issue 2
EUGENIO GARCÍA - MÉXICO
- issue 2
EUGENIO GARCÍA - MÉXICO
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EUGENIO GARCÍA - MÉXICO
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JAY LIM - MALAYSIA
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SAAVERIO EVANGELISTA - ITALY
Tell us a bit about your professional
profile.
I’m a senior graphic designer
working at The Age newspaper in
Melbourne.
I work in the Marketing department
and my daily jobs vary from
designing
booklets, print ads and other
promotional material to doing flash
presentations and intranet
websites. I love what I do and
being able to
do print and web is fantastic.
Where were you born and where
do you live now?
I was born in Footscray Hostpital in
Melbourne Australia and currently
live and work in Melbourne.
urbancollective.com
in my blood.
Which do you consider your best
works?
What are your next projects?
That’s a hard one. I’m proud of some I’m working on a few big Urban
of my designs I’ve done for The Age Collective projects at the moment that
and I consider Urban Collective to hopefully you will hear about soon.
be up there with the best.
In which country did you feel more in-
In your opinion, which are the dif-
spired designing in?
In what kind of projects are you ferences in the design scene before
actually involved in?
and after the Internet ?
Getting the chance to live and work
in Tokyo was a great experience for
I’m not involved in many projects The internet has made a huge
me. I lived there for two years and
at all but am a supporter of many impact in the way we communicate
came back home to Melbourne in
design conferences around the world. to others
October 2003. Tokyo is a very inspi-
So you could say I have a foot in around the world. I think email is the
rational place and that’s where the
many places.
best thing ever invented, really
Urban Collective idea came from.
what would we do without email
Both Australia and Japan are both
How did you begin Urban Collective these days? I can’t remember how
inspiring but I’d have to say Tokyo wins
?
we lived
hands-down.
without the internet but I know we
I started Urban Collective back in live in a better world for having the
How did you start working outside of Aus-
2002 when I was in Japan.I wanted to internet with us. The internet is a
tralia?
start a project that got other de- creative playground for us designers
signers involved and a submission so it can only be a good thing that
Well I actually went to Japan be-
website was the best way to go we have an outlet to explore and
cause my girlfriend at the time was
about it.
have our own space to create and be
INTERVIEW WITH
working as an English teacher there,
seen.
MICHAEL DAWIDOWICZ
so I thought to be closer to her
How did your passion for design
I’d go over for a few months and end-
begin?
What do you like to advise to our new
ed up finding enough work to stay
generations of designers?
Australia
for two years. Tokyo is very fast-
I’ve always loved being creative
July 2006
paced and you can get caught-up with
and designing. I work as a graphic Be yourself and above all trust your
everything going on around you. I
designer during the day and most intuition.
Text : Nelson Medina
wouldn’t change anything and would
nights will be doing some sort of
love to travel again to another coun-
design work at home, whether it
try to work and experience there
be personal or freelance work....it’s
culture.
- issue 2
MICHAEL DAWIDOWICZ - AUSTRALIA
GET DRUNK
MORE STRONGER
MORE CHEAPER
AND 100% LEGAL
ENERGY DRINK
12 FL OZ (355mL)
- issue 2
NELSON MEDINA - PERÚ
ENERGY DRINK
RAIN OF GODS
{the original}
- issue 2
NELSON MEDINA - PERÚ
AS SEEN ON TV !
The revolution of porn.
More cinic. More puritan. More safe
for your childs. Everybody will love it !
Good by to the bees stories.
NOW
ON
CINEMA
DVD
We need models. Castings every day. Good pay !
- issue 2
NELSON MEDINA - PERÙ
- issue 2
VALERIA PRIETO - MÉXICO
- issue 2
CHRISTIAN GÖHRING - GERMANY
- issue 2
DIL TORO - SPAIN
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DIL TORO - SPAIN
- issue 2
GERALD ANDÍA - PERÚ
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JEAN-PAUL RAABE - GERMANY
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WENWU - CHINA
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WENWU - CHINA
YEE HUI JING - MALAYSIA
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YEE HUI JING - MALAYSIA
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MARDEN PINEDA - EL SALVADOR
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MANUEL REATEGUI - PERÚ
JAY LIM INTERVIEW
JAY LIM
INTERVIEW
Malaysia
July 2006
Text : Nelson Medina
How do you describe your design style?
My style is unique, colorful, and
fun. I like to try some extraordinary
illustrations for my own.
How is your creative process?
Basically, it starts with an idea. And
everything flows when inspiration hits
me hard. It’s subjective.
What are your main skills?
My main skill? Haha..erm.. it’s drawing
skill, I think. And thinking of idea and
concept.
Tell us about your expositions. What
happened there?
I was glad that everything went well
and the response was encouraging.
So far, two exhibitions had taken place
in Malaysia and I have plans for more
is the way to go in this millennium.
events.
It doesn’t include extensive cost on
production but just web hosting and
personal effort.
When do you start in to design?
If you not were a designer, what would you
Throughout my college years, I started
do?
out with my first design and participated
in design competitions. Also, I submitted
Haha…good question. I wish I can be a
my artworks to Urban Collective, the first
postman. I love to deliver mail!
ever website which I found challenging
on the net.
What do you wish to learn?
Where are you getting the inspiration for
Drum and surfboard. It is my dream since
your works?
young because it is so cool and fun.
I do research on design magazines,
movies and take a stroll at shopping
What would you like to say to your Revolu-
malls. It’s how and where I get fresh
tionart fans?
ideas.
Hi Revolutionart fans! How are you!
I wish all of you really enjoying
Which do you consider your best works?
reading Revolutionart magazine! Yeah!
Revolutionart rocks!
The Zen of Buddha is the best piece
I have done in my life. It expresses
purity, clarity and some of the Buddhist
philosophies in the illustration.
What do you expect about the future of
internet advertising?
Jay Lim and Michael Dawidowicz
It’s undeniable that internet advertising
- issue 2
JUAN LEÓN - VENEZUELA
- issue 2
JUAN LEÓN - VENEZUELA
El Ojo de Iberoamérica
The Latin passion’s
Meeting Spot
This year the proposal grows. El Ojo de Iberoamérica was
born with the objective of recognizing and distinguishing
the best works and the performance of the professionals
and companies. From its first edition in 1998, the festival
has received such incredible adhesion of the industry that
it quickly became the event with the biggest growth in the
region.
In this edition, El Ojo de Iberoamérica incorporates new
awards to distinguish the communication in each of its
360º. Apart from the traditional awards of TV, Press, Radio
and Outdoor (El Ojo Classic), El Ojo Innovador (creativity
and innovation in the use of media) and El Ojo Interactivo
(interactive media), will also award best works in Direct
Marketing (El Ojo Directo) ; to the best initiatives in
Promotions (El Ojo Promo); the best Contents for Brands
(El Ojo Contenido), and for the first time, El Tercer Ojo will
be awarded, which will distinguish the best idea, that could
excite everybody and break paradigms.
Through the online entry, up to next 31 July, agencies,
creatives, producers, production companies and advertisers
have the opportunity to be among the big ones and to be
part of a festival that recognize the Latin advertising in
each edition. Everyone willing to join this party is invited
www.elojodeiberoamerica.com
So, mark on your calendars the next 6, 7 and 8 days
of November, and make sure you will be at the Hilton
Buenos Aires on that dates. The spirit of growth and the
development of the creative industries that flourishes in
this city will follow all those wanting to live a unique event
IF YOU FIND MORE CHEAP HOSTING
WE WILL REDUCE THE PRICE FOR YOU
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Url: http://revolutionart.publicistas.org
Forum: http://revolutionart-forum.publicistas.org
e-mail: hola@publicistas.org
Document Outline
- 01fus.pdf
- 02fus.pdf
- 03fus.pdf