REVOLUTIONART International Magazine - Issue 7

PRESENTS :

INTERNATIONAL MAGAZINE
ISSUE # 7
July - August 2007
presents :
Welcome back to your favorite
magazine. In this superedition
we have more superpeople
Published by:
contributing than ever: designers,
PUBLICISTAS.ORG
artists,
models,
musicians,
advertisers. There are more than
200 pages full of color and style...
Creative Director:
Nelson Medina
and as always FREE.
Contact us:
We are many more! That’s great,
hola@publicistas.org
but there’s still more people
walking in the darkness that
doesn’t know this magazine. We
Thanks to:
have two altenatives 1.- kill them ecology, nature, species on
extintion, natural resources and
. You
2.- show them Revolutionart.
. The boys of the
Make your choice!
our part as human beings to solve
revolution
some of these problems. Make
. GoMedia
In this number we have an your advertise to the world.
. Gisele Iecker
exclusive interview with Jeff Finley
. The fans
from Gomedia; an outstanding By the way, on August 17th will
design studio that has worked be my birthday. If you like to say
with some great bands like Ozzy, hello, drop me an email.
Stone Sour, Metallica; and brands Peace.
Do you like to support
like Pepsi.

the best magazine in the
Nelson Medina
world?
For your delight, the MODELS Creative Director
We
need
enthusiasts
Publicistas.org
journalists to cover events
section has new faces and bodies.
around the world. Some funny
Our MUSIC space presents some nelson@publicistas.org
guy for cartoons section.
independent bands to explore
Some freaky chic for fashion
new tastes. Comment them in
events. Some headbangers
for the music comments. And
our forum.
some geeks for the tech news
and gadgets.Join us!
The
next
edition
of
REVOLUTIONART
will
be
All the samples are propierty
of their respective owners
dedicated to our Planet Earth.
and can’t be reproduced
You have the space to express
http://revolutionart.publicistas.org
whithout permission.
your thoughts about important
themes like global warming,

REVOLUTIONART
CONTRIBUTORS
Issue 7
Mesut
Turkey
mesutugrlu@hotmail.com
Abigail Tonna
Josther
Mattia Basti
Malta
Venezuela
Italy
silverstar2727@gmail.com
frodo_rafa@htomail.com
mattiabasti@yahoo.it
myspace.com/mttn1
Alvaro Ricardo Cuellar Hernandez
Juan Pablo Galindo C
El Salvador
Daniel Ortega - DieselDesign
Colombia
Mohamed ibrahim hassan
arch99@hotmail.com
Peru
www.proyecto-garaje.tk
Egypt
teen_spirit17@hotmail.com
mibrahim@midesigner.net
Adrian Severino
dieseldesign
Juan Ignacio Siwak
www.midesigner.net
Argentina
Argentina
eldiegodelagente5@hotmail.com
Erica Sanchez
juanisiwak@gmail.com
Natalie Omrami
Argentina
www.mantralab.com.ar
United States
Andre Toledo
erica.a.sanchez@gmail.com
FrayedArtwork@aol.com
Peru
Lalo Valdez
www.myspace.com/frayedartwork
andre_362@hotmail.com
Edwin Vasquez Olaechea
Mexico
Peru
lalovaldez84@hotmail.com
Nerosunero
Arianna Carrozzo
mail@edvo.net
Ireland
Italy
www.edvo.net
LaLo De La Torre
nerosunero@nerosunero.org
aryk@libero.it
México
Francisco Pozo
autorespondedor@hotmail.com
Rexford Owusu Okyireh
Bruno Fonseca
Ecuador
www.webextrema.net
Ghana
Portugal
franciscop62@hotmail.com
okyirehjoe@yahoo.co.uk
gemadesign@gmail.com
Lalu Fernandez
www.gema.cc
Francesco Poroli
Argentina
Sara Gancho
Italy
lalu_enbaires@hotmail.com
Portugal
Camilla
me@francescoporoli.it
www.laralew.com
sara.gancho@gmail.com
Italy
francescoporoli.it
Iván Eduardo Rodríguez A.
aeneadellaluna.blogspot.com
camipappini@gmail.com
Colombia
Leah Coghlan
Giba
ivanebat@yahoo.es
Canada
Simon A. Kjaer
Christian Ramirez Ornelas
Brazil
www.myspace.com/bizarrosdyp
lcoghlan@vistaradio.ca
Norway
Mexico
aphexgiba@gmail.com
simon@sakdesign.no
Creepstian@hotmail.Com
Jean-Paul Raabe
Matte Bondine Vallet
www.sakdesign.no
www.creepstian.tk
Gary Robinson
Germany
Italy
United Kingdom
info@jeanpaulraabe.de
bondine@bondine.it
Valerie Cordova Sanchez
Danilo M. Castagine
design@mintcreativemedia.com
www.bondine.it
Mexico
Brazil
www.mintcreativemedia.com
Jorge Campos
sakura19_c@hotmail.com
danilomorato@gmail.com
Bolivia
Matt Mignanelli
www.castagine.blogspot.com
Guadalupe Hernández
cocote@gmail.com
United States
Verónica Chayán

Argentina
matt@mattmignanelli.com
Argentina
Desiree Latorre Gonzalez
gualenchi@hotmail.com
Javier Cadena
www.mattmignanelli.com
veripowerpuff@hotmail.com
Costa Rica
Mexico
titifly100@hotmail.com
Hugo Gallipoli
youallijav@hotmail.com
Martha Cecil
Vinicio
Venezuela
www.myspace.com/electrikamx
Italy
Italy
mapachecreations@hotmail.com
www.electri-k.tk
martha.cip.ciop@tin.it
info@metropop.it
www.metropop.it
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REVOLUTIONART INTERNATIONAL MAGAZINE
P L A C E Y O U R A D H E R E
Frequency: Every two months
Readers origin :
hola@publicistas.org
Price: FREE $ 0
1.Europe 37.4 %
Estimated downloads per issue:
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10,000
3.Asia 12.2 %
Estimated viral readers per issue:
4.USA and Canada 13.1 %
34,000
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Distribution: All the web
6.Australia 3.4 %
7.Africa 0.5 %
others 3.7 %
(stats pounded from past Issues)
Promoted in AD festivals, magazines, blogs, podcasts and lot of alliances on
Internet.

SUPERSTAR!

- issue 7
Lalo de La Torre - México

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Edwin Vásquez - Perú

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Edwin Vasquez - Perú

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Veronica Chayan - Argentina
Vinicio - Italy

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Daniel Ortega - Perú

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Hugo Gallipoli - Venezuela

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Camilla - Italy
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Guadalupe Hernández - Argentina

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Juan Siwak - Argentina

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Juan Siwak - Argentina
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Juan Siwak - Argentina

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Nelson Medina - Perú

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Javier Cadena - México
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Jorge Campos - Bolivia

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Ivan Rodríguez - Colombia

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Alvaro Cuéllar - El Salvador

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INTERVIEW WITH
jeff finley

INTERVIEW WITH
JEFF FINLEY
United States - June 2007
by Nelson Medina
Revolutionart
© All the works by Jeff Finley

Hel o Jeff. Can you tell
utilize my imagination and have
us a little about yourself
and your professional
the freedom to explore new
background?
techniques. And as my portfolio
got better and more expansive,

I kept getting bigger and better
Well, I am 25 and live in Cleveland,
jobs. I would constantly be trying
OH. I live a positive smoke/
to make contact with new clients.
alcohol free life and am engaged
I tried to reach out to the bands I
to my long time girlfriend Kim.
wanted to work for. Eventually our
I’m really into music and film and I
portfolio was impressive enough
could talk about that for hours on
to warrant the attention of some of
end. Professionally, I’m a partner
the biggest artist merchandising
in the design firm Go Media and
firms in the US and that’s how
am constantly working to get us
we get most of the big jobs like
to that next level.
Metallica and Ozzfest. After the

first merchandising company hired
Your studio has been
us, a few others followed suit.
worked with some of the

coolest rock bands and
I saw that some of your
festivals like Metal ica, Van
designs
uses
many
Halen, Poison, Stone Sour,
techniques beyond the
Ozzfest. That’s great Jeff,
vectors. Could you tel us
tel us how did they become
what are some of your
interested in your work?
creative ways to made

some of your posters like
Throughout the years, designing
the Ozzfest or Stone Sour
band?
for bands has been my passion

and I feel it allows me to be really
Well, those particular designs
creative. About 3 years ago I
are all vector. Most of the t-shirt
started designing for smaller
designs I do are all vector, but
bands and I always strived to
a lot of the prep work is done in
do my best work. I wanted to
Photoshop. For instance, the

Ozzfest design with the demon
baby and the skeleton monsters
was prepared in Photoshop first.
I had an idea, then I gathered all
my reference photos and cut them
out, manipulated and arranged
my design in Photoshop. Then I
imported the image into Illustrator
and used my Wacom tablet to do
the illustration. Sometimes I’ll
use 3D Studio Max to prepare
elements for my designs. I like to
use a variety of techniques. Also,
never underestimate the power of
traditional pen and paper!

Maybe a common but
important question that a
lot of people are doing. .
“How can we reach your
comic book style graphic
design”?.

Well, the “comic book style”
is actually my colleague Bill
Beachy’s work. He’s an amazing
comic book illustrator. He’s been
drawing his entire life and has
even put out his own comic book.
The comic book style has it’s place
in the world, and it’s not typically
in graphic design. You don’t see
too much of it and in my opinion,
it’s a really underrated medium.

We take Bill’s comic book style and
merge it with other styles to achieve
a completely different aesthetic. For
artists looking to develop that style, the
most important thing is keep drawing.
Draw draw draw. And use those
drawings and mix them with graphic
design. It doesn’t have to look like
Marvel or DC, but the important thing
is to get back to traditional means of
artistry. Pick up a pencil and you’ll be
surprised!

What is a typical day in your
life like?

At the moment, I currently live in the
same building as our studio. So I
wake up at 9:45 AM and shower and
all that. Get downstairs in the studio
at around 10:00 and grab some cereal
or something while I check my emails.
Sometimes there are urgent things
that need done, other times I pick up
a project that’s in progress. I check
my current project queue to see if any
of our clients have provided feedback
and then I determine what I will do the
rest of my day. So that becomes plan
A. But almost 90% of the time, curve
balls are thrown and my attention

gets diverted all over the place.
Whether it be clients calling and
wanting changes right away, new
project leads, or miscellaneous
promotion online. Speaking of
online promotion, I am the one
responsible for just about all of Go
Media’s online marketing. When
I’m not designing, I’m thinking of
ways to advertise, promote, or get
the word out. I love that kind of
thing.

Tel us about the greatest
Vector Packs. What’s the
story behind their creation
and how do you recommend
to use them?

We’ve always thought it’d be cool
to sell stock art. But the stock art
websites out there that allowed you
to sell stuff didn’t seem worth it. So
we decided to just do it ourselves.
We had a large library of custom
design elements already made
up and we packaged them up in
a cool way and put them online.
We purchased and customized
some software to allow us to sell
digital downloads and that’s how it

started. We were very encouraged
by the initial response, so we decided
to put out another pack. And it kept
getting bigger and bigger. So we
kept releasing more packs! And
the way we recommend using the
Vector Packs is with vector editing
software like Adobe Illustrator.
While you’re working on a design,
you just open up one of the files like
“skulls.eps” and select a skull and
copy and paste it into your design
where you can now move it around
or manipulate it however you wish.

Can you describe your studio
set-up?

We currently work in a neo-industrial
townhouse on the west side of
Cleveland. Our studio is on the 2nd
floor and we’ve got 6 people working
every day - 5 designers and 1 office
manager. We also have designers
and animators based in Florida
and New York as well as a staff of
programmers in the Ukraine. Our
headquarters in Cleveland is where
most of the magic happens. Each
person has their own desk with an
Ikea Jerker desk and a Dell PC
with a widescreen monitor. Yes, we
are designers that use PC’s (shh).

Space is a little tight, but we are
We are also planning on buying
Put out great work and show Just keep working hard. An average
looking to expand to the 1st floor and
our own warehouse and building a
everyone you can. If you are looking designer with a strong work ethic,
hire more people in the near future.
“real” office from the inside out. I am
for attention, it’s easy to get it online. friendly attitude and good people

incredibly excited. And work wise,
But the most important thing is to skills will get further than a talented

What does the future hold for
we will continue to push the envelope
do amazing work and be nice and designer with a nasty ego trip.
your sites and work?
and hone our skills. We all want to
friendly to the people you meet. Everyone is a graphic designer these

grow creatively and be the best at
Collaborate with other artists. Share days, so it’s important to always try
The future is extremely bright. We’re
what we do. So every day is a step
resources and be out and about both new things and set yourself apart
never short of work and have recently
closer in that direction. We will keep
online and in the community.
from the rest. Don’t be afraid of
hired a rep in New York to help market
moving forward!

failure, it’s the quickest way to learn!

and promote us to bigger agencies

Do you have any message
and clients. Our vector packs are
What advice do you have for
to share with the readers of
selling very well and we’ll put out a
aspiring artists looking to
REVOLUTIONART?
bunch more packs in the next year.
“get noticed”?

REVOLUTIONART
MODELS . . .

IS LOOKING FOR MODELS
THE EASY INSTRUCTIONS:
// You don’t have to be an experienced model or
OUR
have a perfect body to be the next Revolutionart
SEND Y
girl. Even if you’re amateur it’s right. Just send your
UG
PICS UNTIL
7
own beauty in revolutionary ways.
15TH A
200
// Include credits from model and the photogra-
pher. Full names, country, email, website.
// Send the images with subject: “MODEL” to
hola@publicistas.org

Model : Kartiea Turner
Country : United States
naudyazznicci@aol.com
http://www.myspace.com/six_foota

Model : Monica Blair
Country: United States
Queenstar442@hotmail.com
http://www.myspace.com/theocsmonbon

Model : Tania Amber
United Kingdom
Lycan1981@hotmail.co.uk

Model : Asia
From : Usa
mizzlovejones@hotmail.com

Model : Agnieshka
From : L.A., Usa
www.myspace.com/alejazda

Model : Lesya Ryabchenko
Country : United States
rlabc1@yahoo.com

ics to attract the public eye’s attention. Why do you think Kurt kil ed himself? Or
music
It has definitely become more difficult Prince changed his name? Or Madonna
nowadays, though. I mean… to become got married and had kids?
a superstar.
Theory #2. Today’s world doesn’t al ow
THE MAKING OF A SUPERSTAR
Because everyone with a brain knows people to become superstars – there
A look on what goes on behind the music scene
how to be a star (1. Write a catchy song; just isn’t enough time! Things moves
2. Build a cool webpage; 3. Hang out faster each day. There’s no room for
by Gisele Iecker de Almeida
with the coolest crowd. That should get superstars as we knew them anymore,
yourself a number one hit. On the next that kind of star that pleased a few peo-
hat is it that makes some peo-
favorite band would be the on the cover
album, you do exactly the same thing. ple with their first album, had a few bad
ple SUPERstars and others, just of their record. Y’know, the black round
Except that you may want to spice things reviews in their second and got it right
Wstars? What is it that can turn an thing, L-P. Not CD or the instant-and-eas-
up a bit… maybe fire the lead guitarist in their 3rd. Nowadays, it’s al or noth-
average musician into an idol, wor-
ily-disposable mp3. Of course, when the
and get a few tabloid covers by treating ing: your MySpace tracks & pictures are
shipped by mil ions of people around the audience started getting extremely ex-
your addiction somewhere quiet like… what counts, the number of Youtube vid-
globe? An instantly recognisable face cited over certain names, such as The
Hol ywood!), but getting to be a super- eos are the measurement for your popu-
and name? Come on guys, you know bet-
Beatles and Elvis Presley, some people
star… that’s more difficult. Modern day larity. People have a shorter attention
ter than me! Give me an A! Give me a D! thought that albums were not enough…
stardom has reached a new level where span, they’d listen to R’n’B one day, and
Give me a V! Give me an E! Give me an
it is both so easily within reach, and could easily be listening to electro-pop-
R! Give me a T! Give me an I! Give me an That’s when the companies figured out
yet, simultaneously, blown magnificently punk the next one. There just simply isn’t
S! Give me an E! Give me an N! Give me they could sel pretty much anything that
out of proportion, but we stil can’t find enough time for new names and faces
a T! What have we got? A-D-V-E-R-T-I-S-E-
had famous people’s names and image
many SUPERstars among contemporary to reach the same level of popularity
M-E-N-T Without advertisement, clever on it: magazines, t-shirts, make-up, post-
celebrities.
the yesterday’s stars have reached. You
branding and multi-mil ion dol ar market-
ers, autographs, toys, wigs… you name
might be thinking, ‘where does music
ing, our celebrity culture wouldn’t have it, they had it al . Then, of course, the
And the reason for this? I have two theo- come into al of this?’ Wel , truth is… it
gotten anywhere.
television became more popular.
ries:
doesn’t. That much. SUPERstars are not
Theory #1. People don’t want to be su- necessarily the best musicians around.
Think like a star: Be a star: You are star People could actual y SEE their idols
perstars anymore, because it actual y Even if they make music, they might not
Over-saturation has led us to the point walking around, just like themselves.
sucks and it’s real y hard work Don’t be- even be musicians! They just… work.
where nothing is exceptional and very lit-
They could see how they were actu-
lieve me? Can you imagine having your The room. The crowd. The sponsors.
tle is shocking. These two products were al y human beings – except that funnier,
house surrounded by people you have The press. So, musicians, mind not
the ingredients that brought the early day smarter and more interesting, al the
never seen in your life, pointing cameras about anything I have said. Don’t look
SUPERstars to worldwide attention.
time. Have you ever heard the story of
at you al day long? Or having your name out for the competition; be careless
Before then, singers were known for their Elvis being banned from Ed Sul ivan’s
in so many pages over the internet that about what others think of you.
voices, and not for their looks or what show because of his dance? People were
you can’t be bothered to look at them? Look inside yourself. That’s where you’ll
they got up to wee wee hours. Time was shocked by the way he moved his hips.
Or having every single vacation you take find your art.
when the only picture you’d see of your A classic example of generating polem-
spoiled because you were “spotted”?

music
CBC, 25 AND THE FAMILY
City : US
Style : Hip Hop
Do you have a music project? Send your name project, city, style, a picture
Hear: myspace.com/cbc_25
and a direct link to hear you music to hola@publicistas.org with the subject
“MUSIC”.
Click on the images to hear the music :
INFERNAL NOISE
ENERGUMENO
City: Concepcion - Chile
City : Italy
Style : Rock
Style : Electronic
Link: www.purevolume.com/energumeno
Hear: (click here)
FX BAND
CHRIS BURKMENN
City : US
City : Bali-Indonesia
Style : Rock
style :PopRock progressive
Hear: myspace.com/chrisburkmennmusic
Hear: fxbandindie.multiply.com
KILLING THE SOUND
VËRTICAL
City : Los Angeles, US
City : Lima, Peru
Style : Hip Hop
Style : Grunge
Hear: myspace.com/killingthesound
Download full album: (click here)

music
VALIUM
City : Lima, Perú
Style : Rock
Hear: myspace.com/lasvalium
HAITI
WEEDY FACTORY
City: Fort Lauderdale, Florida, US
City : Luton, United Kingdom
Style : Hip Hop
Style : Alternative - Progresive
Link: myspace.com/haitiatbbp
Hear: myspace.com/weedyfactory
FADAS
GINO ANDRETTY
City : Lima, Peru
City : Lima, Perú
Style : Rock
Style : Ballad Rock
Hear: myspace.com/fadas
Hear: purevolume.com/ginoandretty
SHARMILA
XOCH
City : US
City : Poughkeepsie, New York, US
Style : Pop
Style : Pop
Hear: myspace.com/sharmilasound
Hear: myspace.com/xoch

humourr
This space is available for comic illustrators, comediants
and everyone who like to share some funny. Send your
name, country and picture to hola@publicistas.org with
the subject “HUMOUR”.
Click on the images to hear the music :
Matt Mignanelli / United States / www.mattmignanelli.com

needs your help to still being FREE

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MAKE YOUR OWN
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#8
IN THE NEXT EDITION:
For the next edition...
“ THERE’S A LOT OF BEAUTY
SURROUNDING YOU. BE INSPIRED
IN YOUR BLUE PLANET, FIND THE
ILUMINATION IN YOUR GREEN WORLD.
SEND YOUR AD ABOUT GLOBAL
Planet Earth
WARMING, ECOLOGY, NATURE, SPECIES
ON EXTINTION, NATURAL RESOURCES
AND OUR PART AS HUMAN BEINGS TO
SOLVE SOME OF THESE PROBLEMS.“
Send your work until:
August 15th 2007
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