PRESENTS :

INTERNATIONAL MAGAZINE
NATURE
ISSUE # 12
May - June 2008
EDITORIAL
presents :
I’ve considered seriously to stop
calling this a “magazine” and
perhaps turn it into a “book” ...
perhaps a “bible”. Welcome to
the enormous 12th edition of
Published by:
REVOLUTIONART: NATURE
PUBLICISTAS.ORG
This issue seems to have a greater
emphasis on photography, and as
this is our Revolution based on ART.
Creative Director:
ever we can see samples of the entire
Nelson Medina
planet, some better than others ...
The following edition has a very
nelson@publicistas.org
special theme for which we had to
I have read some criticism to
Contact Revolutionart:
wait for the fame and international
REVOLUTIONART, saying that some
hola@publicistas.org
recognition of REVOLUTIONART. We
works should not be included
are growing up and the time has
because they’re look too amateur.
come. The following is an issue that
There are certain criteria for the
involves us all: “POLITICS”.
selection material but one of the
pillars of this magazine is to FIGHT
At the end of this magazine you can
AGAINST ARTISTIC FASCISM. We
find specific guidelines to participate
can’t censor the expression of
in the next edition.
someone just because “we feel
it ugly.” Our selection criteria are
I’ve created a personal account of
others.
Do you like to support the best
MySpace and Facebook to keep
magazine in the world?
in touch with the readers and
We need enthusiasts journalists
Revolutionart is not like other
contributors. Just click the links at the
to covers events around the
magazines.There are many standards
end to add me.
world. Funny people for humour
that we prefer not to follow, because
section, send your stuff now!.
we can’t start a revolution being
Greetings to all comrades!
Fetish models and freaky girls
followers, but leaders. We respect
for fashion events, join us!.

and appreciate the vision of all our
Some headbangers for music
comrades bringing their messages to
contents, keep it real!. Artists,
the world.
send your design reviews, art
news, and books to the boyz of
the Revolution.
This is what Revolutionart is ...
and what it will remain. This is our
All the samples are propierty
revolution.
of their respective owners and
can’t be reproduced whithout
Nelson Medina
Congratulations if your work has been
permission.
Creative Director
accepted for REVOLUTIONART.
Publicistas.org
This magazine is for you people, and
© 2008 Publicistas.Org
nelson@publicistas.org
http://revolutionart.publicistas.org
REVOLUTIONART

REVOLUTIONART
CONTRIBUTORS
Issue 12
Francisco Pozo
Ecuador
franciscop62@hotmail.com
Adeline Pincemin
Hector Ruiz
France
Peru
pincemin_adeline@yahoo.fr
info@hectdesign.com
www.hectdesign.com
Alex Kipa
Ukraine
Indah
alexxxx.90@mail.ru
Indonesia
kurokagenohimeko@yahoo.com
Alessandra Magno
Italy
Ismail Hasan
yellowant@alice.it
Azerbaijan
www.flickr.com/photos/killed_ants/
hasanzade_isi@msn.com
Anastasia Krasnova
Jacqueline “Jota” Schneider
Russia
Argentina
bananafishfood@yandex.ru
jackie_sch@hotmail.com
www.lastfm.ru/user/fox_club/
www.jotasch.blogspot.com
Andreas Nandiwardhana (Rei)
Jonny Hurtado Duque
Indonesia
Carlos Silva
Colombia
reimadara@yahoo.co.id
Mexico
cladajo@hotmail.com
powerflymx@hotmail.com
Antonio M. Momblant García
Juan Pablo Galindo
Spain
Commondiva
Colombia
amomblant@gmail.com
Uruguay
juanpa066@gmail.com
facebook.com/profile.
commondiva@gmail.com
Ezequiel Garrido
wwww.proyecto-garaje.tk
php?id=1669530081
www.myspace.com/commondiva
Argentina
cEgocentrico@gmail.com
Julian Andres Rodriguez Castano
Camila Carrica
Chriz (goatheadcorp)
Emanuele Marianecci
Colombia
Argentina
Indonesia
Fajar fauzi
Italy
julianandresrc@hotmail.com
camilacarrica@gmail.com
xkepalaxkambingx@yahoo.com
Indonesia
emio_me@yahoo.it
camilacarrica.blogspot.com
goatheadcorp.deviantart.com
graphic.freaks@gmail.com
www.flickr.com/photos/
M4sk1nk.deviantart.com
Kreisna Panji Kemala
emio_me
Indonesia
Claudia Carieri
Davide Ricchetti
kriz_nafara@yahoo.co.id
Italy
Italy
Francesca Perani
Enrico Fioraso
claudiacarieri@gmail.com
davidericchetti@gmail.com
Italy
Italy
Leah Coghlan
www.claoodia.net
it.youtube.com/watch?v=lmtJMY-GuXE
francescaperani@gmail.com
incaseyoudie@gmail.com
www.francescaperani.com
Canada
www.beatmeup.it
lcoghlan@vistaradio.ca
Carlos Orozco Quintero
Denny Budi Susetyo
Colombia
Indonesia
Francisco Caro (Panchocaro)
Evan5
Linguamara
carlosorzcoq@hotmail.com
designmakersyndicate@gmail.com
Chile
Ireland
Italy
flickr.com/photos/triptoneverland
designmakersyndicate.deviantart.com
panchocaro@gmail.com
evan5.deviantart.com
panchocaro.googlepages.com info@linguamara.tk
www.flickr.com/photos/linguamara

REVOLUTIONART
CONTRIBUTORS
Issue 12
LorenzoCofee
Italy
lorenzocoffee@gmail.com
Randy Navarro
Pablo Esposito
Panamá
Argentina
randienb@gmail.com
info@quebrain.com.ar
www.quebrain.com.ar
Ravi Gopallkrishnan
India
Peterson
rgk2606@gmail.com
Indonesia
biargwjadikorban@gmail.com
Rodrigo Andres Leal Florez
pieterzoen.deviantart.com
Colombia
rodan84@hotmail.com
Samuel Wilken
United States
Rok Hribar
Stojan Mancic
platinum_artist04@hotmail.com
Slovenia
Serbia
krneki09@yahoo.com
stolestalone@gmail.com
Sasha Aka Alexandroid
Ukraine
Romina Nazarena
Silvia Cossu
box121@gmail.com
Argentina
Italy
wwrongdotcom.deviantart.com
ambar_vi@yahoo.com.ar
www.silviacossu.com
Vasic Djordie
Romina Chamorro
Susana Passinhas
Marco Ferrara (Arcoma)
Serbia
Argentina
Portugal
Italy
vasic.dj@gmail.com
rominachamorro@gmail.com
susanapassinhas@hotmail.com
ar.coma@tiscali.it
punksafetypin.deviantart.
www.susanapassinhas.no.sapo.pt Mariana Viñas
www.myspace.com/arcoma
Viola & Attila
com
sanserif@arnet.com.ar
Italy
Tubagus Tommi
Argentina
Max Montano
attila@fosbury.it
Satrio A.K.A Biangkerok
Indonesia
www.jellyfish-eventos.com.ar
Italy
www.flickr.com/photos/viola_at-
Indonesia
maz_bagoezt@plasa.com
momax@email.it
tila/
manusiarender@yahoo.com
gombel103.multiply.com
Mahwari Sadewa
www.flickr.com/photos/mo-
manusiarender.deviantart.
Indonesia
max/
Vinicio Trugli
com
Trey Bell
dhewatama@yahoo.com
Italy
United States
www.friendster.com/tama-
Mehmet Can Koçak
info@metropop.it
Stewart Whitsett
treybell@hotmail.com
graph
Turkey
www.metropop.it
United States
www.treybell.net
mehmetcankocak@gmail.com
der.smashinator@gmail.com
Marisol Lomelí Rico
Yaniv Waissa
www.s-w-photography.devi-
Maria Ysabel Ramos
México
M.Martins
Israel
antart.com
Perú
monky_too@hotmail.com
Portugal (Portuguese)
waissa.yaniv@gmail.com
tortugamix@gmail.com
www.fotolog.com/monkytoo
kpta.mm@gmail.com
www.waissa.com
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NATURE

INTERVIEW WITH
IGOR SIWANOWICZ

M a c r o p h o t o s f o r m i c r o m o d e l s
IGOR SIWANOWICZ
Munich, Germany
www.blepharopsis.deviantart.com
April 2008
By Nelson Medina
nelson@publicistas.org
© all images by Igor Siwanowicz

“The closer you get
to them, the stronger
the effect”

Hello Igor. I’m
impressed about
your work, specially
those macro
photos showing us
a mysterious part
of our world. How
did you became
interested in
insects?
Hey. Thanks a lot, I’m
flattered. First of all I have
to confess that I am a little
depraved in my thinking.
So I take weird, strange,
bizarre, grotesque, as
positive
adjectives
in

creative mediums. I focused my
foreign, otherworldly looking
attention on creatures that aren’t
creatures – the closer you get
generally appreciated and often are
to them, the stronger the effect.
shunned on account of not being
Reptiles in turn sport amazing,
fluffy, cute or warm blooded. That
baroque textures, scales, horns
isn’t the reason I turned to them,
and hypnotic eyes. And tree
of course. Weird, alien, Gigeresque
frogs are full of charm and grace,
forms fascinate me. Insects are
albeit in a bit sticky-slimy way.

I was into bugs and animals
since before I remember.
Because both my parents
studied biology, I had
my first contacts with
entomology and zoology
very early in my life – the
house was full of atlases
and illustrated textbooks,
and I’ve favoured them
over “normal” children’s
story books. I’ve spent
hours over the photos and
illustrations, and new the
binominal names of my
favourite animals before
I was able to read. But it
wasn’t until spring 2003
when I bought my very
first digital SLR camera,
Canon 10D, that I found
myself on the supply side
of photography.

“...I’d like to try to
shoot some naked
chicks.”

How do you define Igor
type (so I’m really straining right
to make use of his quite recently
mention “artistic”!) without being
Siwanowicz in terms
now – appreciate it, goddamn!).
acquired self-confidence. Certain
accused of blatant false modesty.
of artistic skills and
personality?
Easily frustrated, depressive, a
tendencies... – let me put it this
I have some major problems with
bit paranoid, a bit compulsive-
way: if he was Neo, he would take
composition; it’s always somehow
obsessive. Procrastinator (read:
2 red pills AND 2 blue pills (out of
two-dimensional
and
very
I don’t! Oh boy. OK, I’ll try – let’s
lazy ass). Jack of all trades, etc.
fear of underdosing).
simplistic. OK, I’ll finish here; I’d
take the “personality” part of
Likes to impress chicks to feed
have to badmouth my own works.
your question first. This Igor guy
his ego, even though he knows
Now, I don’t really know how to
– definitely not an introspective
it’s only an ego-thing; but he likes
address the “skills” part (not to

You have a great eye
to catch outstanding
images from nature.
What personal
experiences have
influenced your works
to do that?
Wow, thank you again. There
wasn’t any single event that
drew my interest to animals
– it is in my genes, I guess.
I cannot even say I was
imprinted by my parents and
the aforementioned contact
with the illustrated literature
on the subject, because it
started much earlier than I
could handle a book. I was
literally terrorizing my mom to
put snails into my push-pram
during our summer walkies.
So much for making conscious
choices...

What do you do for a day
job?
I’m a scientist. I was studying
biotechnology, got a PhD in
structural biochemistry, and just
now I have moved to neurobiology
– the model animal in my field is a
fruit fly, so I have a steady source of
fodder for my pet baby-mantises.
You have to think practical when
choosing your job.
What would you like to
learn?
Underwater photography (I have
some idea about scuba diving,
having been a member of a diving
club for more than a year). And,
well, artistic nude’s photography...
but I’m definitely not a monk, and
my girlfriend rose hell once I’ve
mentioned that MAYBE, some day
I’d like to TRY to shoot some naked
chicks...

Can you describe your
studio set-up?
Yes – it’s a cheap-ass permanently
temporary contraption. I’ll upgrade
it to something that at least LOOKS
more pro. I’ll buy a real backdrop, for
one, and some studio lights with real
softboxes. At the moment, however,
it looks like this: my set up consists
of 2 flash units: Canon’s Speedlite
550EX, set as a “master”, and Speedlite
430EX, set as a cordless “slave”. The
550EX is mounted via an off-camera
hot shoe adapter to one of the
swivelling arms of Manfrotto macro
bracket. 430 EX is mounted on a
tripod and has practically unlimited
freedom of movement. The setup is
pretty troublesome to carry in the
field (still, I was able to take it with and
successfully use it in the rain forest
of Irian Jaya – Indonesian Papua),
lots of frustration is practically
guaranteed. It works great in the
“studio” conditions though.

One of the most important
issues one has to solve in macro
flash photography is diffusion/
scattering of artificial light –
most of bugs are made of glossy
surfaces, and it’s easy to get those
over-exposed patches on their
carapaces. Besides that, direct
flash light gives too high contrast
between highlights and shadows,
with a sharp border in between.
I’m using foldable diffusers from
Lumiquest: Big Bounce on the
550EX and Ultrasoft on 430EX.
They attach via Velcro (hook-and-
loop) fasteners to the heads of the
flashes.
I’m using sheets of paper as a
backdrop – some are plain, some
coloured with paints. The sheet
hangs from a slightly modified
tripod, the other end lies on a IKEA
stool – that’s it, really.

How do you organize your
work to make a macro-
photo session?
My gear is usually set up in one
of rooms, so all I need is a “model”
and some motivation. And nothing
is more motivating than having
acquired a new fascinating pet.
I don’t own all the animals you
can see in my portfolio – some
belong to professional collections
or amateur breeders, others were
just encountered during my trips,
and shot on the spot or in a field
“studio”, and then released.
What things in the world
are those that arouse
greater admiration to you?
I admire craftspeople of all kinds
and creative people of all disciplines
in general, as long as they are
perfectionists in what they do. I can
observe a blacksmith annealing

mokume-gane or a fly-tier at work
for hours. I have tons of respect
and admiration to certain 2-D and
3-D visual artists, from cartoonists
to CG people.
If you had to do the last
piece of art in your life ...
What would it be?
If I new I was going to die? – I
wouldn’t move a finger, too busy
with going through all them stages
of grief. But there surely are certain
photography-related things on my
“to do before I die” list, although
it is the first time I think of it in
these terms. I’d like to visit Great
Barrier Reef, most of the islands of
Indonesia, the mega-biodiversity
hotspots of Africa and South
America, make photo-sessions
with mantis shrimps, blue-ringed
octopus, coconut crab, Australian
sea-horse, and many others.

The current issue
of Revolutionart is
“Nature”. What does it
means for you?
Nature, as in “the world of
living things in its primitive
state”, for me – it’s a refuge, a
place of choice to spend my
free time.
If you have just formed an
image of a tree-hugging
hippie, that’s not me.
Revolutionart loves
you. Thanks a lot Igor !

- issue 12
Silvia Cossu - Italy

- issue 12
Kreisna Panji - Indonesia

- issue 12
Carlos Orozco - Colombia
- issue 12
Adeline Pincemin - France

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Andreas Nandiwardhana (Rei) - Indonesia

- issue 12
Andreas Nandiwardhana (Rei) - Indonesia
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Andreas Nandiwardhana (Rei) - Indonesia

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Antonio Momblant García - Spain

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Antonio Momblant García - Spain
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Antonio Momblant García - Spain

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Camila Carrica - Argentina

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Carlos Silva - Mexico

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Carlos Silva - Mexico
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Claudia Carieri - Italy

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Chriz (goatheadcorp) - Indonesia

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Chriz (goatheadcorp) - Indonesia
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Chriz (goatheadcorp) - Indonesia

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Chriz (goatheadcorp) - Indonesia

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Davide Ricchetti - Italy

EE VENN SOH
EE VENN SOH
Malaysia
www.behance.net/vennsoh
April 2008
By Nelson Medina
nelson@publicistas.org
© All images by Ee Venn Soh

Where does your talent
and inspiration come
from?
I am a computer science
student studying in University
of Auckland, New Zealand.
Now, i am doing an international
student exchange to Nanyang
Technological University of
Singapore.
I do not have any formal
trainings in all these but it just
happens to be something that
i am good in. I enjoy in what i
am doing. I have great passion
and i am dedicate to it. Ever
since young i have great love
for artworks. As time passed
by, the love for art remains, the
only thing that has changed is
the art medium has somehow
morph from paper to digital.

What commission have
you done you would be
most proud of?
I pay attention to every single
artwork, I have ideas and
concepts for every single
artwork. There are so many
ideas running through at a same
time i just do not have time to
execute every single of them.
If I am to choose, I will say
Brooke Bruke and Junk List 08
Collection as I manage to mix
different kinds of shapes, colors
and elements into 1 single art
piece while maintaining the
balance and essence.
What do you like/dislike
about the digital art
community?
I have no hatred for the art
community. I truly enjoy being
a part of it. There are so many
great and talented out there that
inspire me. Being a part of the

community make me want
to strive as a best creative
available.
If iI were to say something
that I really dislike that might
be the inundated uninspiring
artworks that are brimming in
the art community. But who
cares, everyone starts as an
amateur and slowly make their
way. It is all learning progress.
I would love to see more new
talents in the community.
What do you think about
design in your country?
I was born in Malaysia, an
ASEAN country. We are still
slow and new in the art scene.
We are growing at a very slow
pace compare to the others.
The level of art appreciation is
low and the cultural acceptance
of what we define as art is
lower.

There aren’t any people talking
about arts. There aren’t any
buildings,
galleries,
inspiring
places in the country. The news
and medias aren’t concern about
nurturing arts.
The
ill-maintained
education
system and low quality education
system have drove the designers
away. For those who have passion
and talents in the scene are forced
to work much more harder than any
designers around.
How is your process to
choose colors, shapes and
textures?
I often have to work along with a
photo. Once i look at the photo,
ideas will keep flowing in. I will
have an initial idea of what i want to
do with the design. Then i will just
start straight to the designing point.
Often, the final result will differ from
the initial. It is always the case.

I am a person with a random
thoughts and actions. I follow
my feelings greatly.
How is your work
space?
My work space is much more
like a hardworking and nerd
student study table other
than anything else. I work on
just a laptop as i often travel
around. I am a computer
science student who study
and do lots of java.
Basically studying in a Top50
world-ranking university is
really stressful. I haven’t
been sleeping really well
for the past 1 month due to
exams.
What are your favorite
brands and why?
I am in love with high fashion
street brands like Stussy,
Nike, Adidas, Obey, Zoo

York, Supreme, Kikstyo,
Undefeated, Undercover,
KAWS, Puma and etc.
I love their designs as they
are bold, daring and inspiring.
Wear them on myself make
me feel so too.
The theme of this issue
is “Nature”. What does
it means to you?
I love animals and plants
since young. I have love
to intergrate every single
artwork of mine with plants,
nature and fantasy. It is
the material world and
its phenomena. It is the
fundamental, true aspect
of a person. The world of
living things are built upon
Nature.
Thank you for your
participation !

- issue 12
Denny Budi Susetyo - Indonesia

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Emanuele Marianecci - Italy

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Francisco Pozo - Ecuador
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Enrico Fioraso - Italy

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Romina Nazarena - Argentina

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Evan5 - Ireland

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Julian Rodriguez Castano - Colombia

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Randy Navarro- Panamá
Evan5 - Ireland

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Ezequiel Garrido - Argentina

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Francisco Caro - Chile
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Fajar Fauzi - Indonesia

- issue 12
Fajar Fauzi - Indonesia
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Fajar Fauzi - Indonesia

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Francesca Perani - Italy

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Max Montano - Italy
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Hector Ruiz - Perú

- issue 12
Indah - Indonesia

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Ismail Hasan - Azerbaijan
- issue 12
Indah - Indonesia

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Jacqueline Schneider - Argentina
- issue 12
Jacqueline Schneider - Argentina

- issue 12
Jonny Hurtado Duque - Colombia
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Juan Pablo Galindo - Colombia

- issue 12
Juan Pablo Galindo - Colombia
- issue 12
Juan Pablo Galindo - Colombia

- issue 12
Juan Pablo Galindo - Colombia

- issue 12
Leah Coghlan - Canada

- issue 12
Linguamara - Italy
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Linguamara - Italy

- issue 12
Linguamara - Italy

- issue 12
LorenzoCofee - Italy
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Linguamara - Italy

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M.Martins - Portugal

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Mahwari Sadewa - Indonesia

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Marco Ferrara -Italy

- issue 12
Mariana Viñas - Argentina
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Marco Ferrara -Italy

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Maria Ysabel Ramos - Perú

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Marisol Lomelí - México
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Marisol Lomelí - México

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Marisol Lomelí - México

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Mehmet Can Koçak - Turkey

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Nelson Medina - Wonderland

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Pablo Esposito - Argentina

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Peterson - Indonesia

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Ravi Gopallkrishnan - India

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Rodrigo Leal Florez - Colombia

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Rok Hribar - Slovenia

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Rok Hribar - Slovenia
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Rok Hribar - Slovenia

ONCEPT
T
OR OF SINGELRINGEN C
WAHLBACK THE CREA
JOHAN
JOHAN WAHLBACK
Sweden
www.singelringen.com
April 2008
By Nelson Medina
nelson@publicistas.org
© Singelringen

Can you tell us a little
gelringen, it has involved physi-
about yourself to help
cal design. However, I think the
people who aren’t
concept design is much more
important and interesting.
familiar with you, get
to know you a little
better?
What do you consider
your main creative
business idea?
I am from Sweden, but lived 3
years in The States and 2 years
Through all my businesses, I
in London, England. Am 37 of
have always tried to be creative
age, and have been an entre-
and developed something new
preneur more than half my life.
to the field of business which I
I love sports, and keeping my-
am entering. However, I think
self fit is a necessity in order to
that Singelringens concept is
cope with the work load and all
my most innovative and cre-
the travel.
ative one – and probably the
most important one. Singelrin-
Live with my wife to be in
gen is both a physical product,
Stockholm and have a 14 year
but also a service through our
old “bonus son”.
Singelringen Global Commu-
nity which al the Singelringen
buyers wil be able to become
I what kind of business
a member.
were you involved?
I have several times been re-
Singelringen is both a design
ferred to be a designer, which
product, but as much a func-
is both true and not true. Dur-
tional product. People buy the
ing my entrepreneurial life I see
ring for the looks or for the func-
more myself as a concept de-
tion – and hopefully both.
signer. In most of the cases, as
with my formal company Kro-
nan and my current one, Sin-

What’s the story behind
Singelringen? How does
it was conceived?
The idea came up during a din-
ner conversation I had with a
friend – she also single at that
moment. We started to discuss
how much we loved our freedom
and our life as singles. However,
both of us felt pressure from our
surroundings – friends and fam-
ily who started to become a bit
pushy about why we did not find
ourselves a serious relationship/
marriage.
During our discussion we also
came to speak how hard it was
VanessaHuppenkothen “Miss Mexico“ Photo by Jorge Avendaño
to spot singles in a bar, in a
nightclub, at the gym, or just on
the subway. Before you were
basical y engaged/married with
a ring to show that or single. To-
day people live as a couple for
several years without getting
married/engaged and have a to
show that.
To make a long story short; the
dinner resulted in that I came up
with the idea that why should not
singles have a ring on their hand
to show their pride and coolness
of being single, but at the same

time in a discrete form signify-
so popular. Of course, the func-
ing that you are “available”.
tionally of showing that you
are available and to spot other
What’s the meaning
available singles is of course
of using Singelringen?
important to the success, but
I think the philosophy is what
Why does people
makes it acceptable and cool
would like to use it?
to wear.
Singelringen has during its two
Since launching the Singelrin-
years of existence become
gen Global Community (was
more of a philosophy where
launched a year ago) it also
the ring is a symbol. The phi-
gave great added value. Sin-
losophy of enjoying your sin-
gelringen will continue to de-
gle life and to feel good about
velop product and services for
yourself in order to not rush
the Single population of the
into a relationship just because
world (which is more than 50 %
of the urge of a relationship.
of the global urban population).
Singelringen believes that the
We have several services and
best way to final y find the right
products which are going to be
partner is for a single to enjoy
launch within the next 3 years.
life and be happy. If you are
happy you become more satis-
What does the future
fied and much more attractive
hold for your business
– which in turn gives you much
and work?
more opportunities to find the
right person. You have to love
See the above + I hope to take
yourself before you can love
Singelringen even further glob-
someone else….
al y and to mission about our
philosophy across the world.
In the increasing amounts of
Our goal is to sel more than
single people all around the
1 mil ion Singelringen yearly
world, Singelringen becomes
from 2010.
a reminder of the philosophy.
I think that is the main reason
Thank you Johan !
why Singelringen has become
Photo by photos’R us - model: Nicole Niego Lucco

- issue 12
Romina Chamorro - Argentina

- issue 12
Romina Chamorro - Argentina
- issue 12
Romina Chamorro - Argentina

- issue 12
Romina Chamorro - Argentina

- issue 12
Samuel Wilken - United States

- issue 12
Alessandra Magno - Italy

- issue 12
- issue 12
Alex Kipa - Ukraine
Alex Kipa - Ukraine

- issue 12
Anastasia Krasnova - Russia
- issue 12
Anastasia Krasnova - Russia

- issue 12
Alex Kipa - Ukraine
- issue 12
Alex Kipa - Ukraine

- issue 12
Alessandra Magno - Italy
- issue 12
Alessandra Magno - Italy

- issue 12
Alessandra Magno - Italy

- issue 12
- issue 12
Anastasia Krasnova - Russia
Anastasia Krasnova - Russia

- issue 12
Samuel Wilken - United States

- issue 12
Sasha Aka Alexandroid - Ukraine
- issue 12
Sasha Aka Alexandroid - Ukraine

- issue 12
Satrio A.K.A Biangkerok - Indonesia

- issue 12
Vinicio Trugli - Italy
- issue 12
Satrio A.K.A Biangkerok - Indonesia

- issue 12
Stewart Whitsett - United States
- issue 12
Stewart Whitsett - United States

- issue 12
Stewart Whitsett - United States

- issue 12
Stojan Mancic - Serbia
Tubagus Tommi - Indonesia

- issue 12
Susana Passinhas - Portugal

- issue 12
Trey Bell - United States

- issue 12
Vasic Djordie - Serbia

- issue 12
Viola & Attila - Italy

- issue 12
Viola & Attila - Italy
- issue 12
Viola & Attila - Italy

- issue 12
Viola & Attila - Italy
- issue 12
Yaniv Waissa - Israel

- issue 12
Yaniv Waissa - Israel

- issue 12
CommonDiva - Uruguay

MODELS

E L K I E V A N S T I P H O U T
Name: Elkie Vanstiphout
Age: 20
Occupation: Singer, musician, writer, photographer, web designer.
Country: Belgium
Website: www.ellequi.com

Photo by Elkie

Photo by Elkie

Photo by Elkie
Photo by Olmo Peeters

Photo by Elkie

Photo by Suzie Vanstiphout

C O U N T E S S - G R O T E S Q U E
Name: Countess-Grotesque
Age: 23
Occupation: Model, photographer, designer
Country: Melbourne, Australia
Website: www.myspace.com/grotesquepuppy

www.countess-grotesque.com
Photo by Countess-Grotesque

Photo by Theo Moustakas

Photo by Theo Moustakas
Photo by Peter Coulson

Photo by Kimothy

Photo by Ellen Duffy

Photo by Countess-Grotesque
Photo by Countess-Grotesque

Photo by Countess - Grotesque
Photo by Kimothy

Photo by Kimothy
Photo by Ellen Duffy

Photo by Countess - Grotesque

I R U L A N A M Y
Photographer: Richard Rasner of Nakayama Studios
Model: Irulan Amy
Country: United States (at the UC Riverside Botanical Gardens)
Website: www.UniqueNudes.com

R O C K S T A R V A N I T Y
Photographer: RockstarVanity Photography
Country : Scotland, UK
Website: www.RockstarVanity.com

www.ViolentlyBeautiful.com

Model : VendettaVain
Model : RockstarVanity

Model : VendettaVain
Model : Bambi Graves

Model : Elizabeth Kitty
Model : Elizabeth Kitty

Model : Elizabeth Kitty

Model : Leyla Rose
Model : Yelena Black

Photo by Markus Weiler
Model : Leyla Rose
Model : Yelena Black

BE A REAL MODEL FOR A REAL MAGAZINE
M O D E L S
// This is the place for your talent. If you are a model or
a photographer, send your best shoots and
Model : VendettaVain
show your work in the next edition.

Nelson Medina
Born in Lima - Perú (1978), he is editor
of Revolutionart Magazine and Creative
Director of Publicistas.org ,one of the
main communities of advertising from
Iberoamérica.
He’s advertiser, art director and singer from
a hard rock band. He like to invite you
to change the world with your creativity
being part of the next edition.
He’s available for press inquiries at
nelson@publicistas.org
+ add him ->

music

music
MALABRIGO
Country : Lima, Perú
Do you have a music project? Send your project’s name, country, style, a
Style : Rock
picture and a direct link to hear you music to hola@publicistas.org with the
subject “MUSIC”.
Hear: www.malabrigorock.com
Click on the images to hear some cool stuff :
JILLSHINE
AURAL VAMPIRE
Country : United States
Country : Tokyo, Japan
Style : Rock
Style : Electro/NewWave/Industrial
Hear: it.youtube.com/user/JillShine
Hear: www.myspace.com/auralvampire
LASSES SHIT
IDAN RAICHEL PROJECT
Country : Norway
Country : Israel
Style : Experimental
Style : Experimental/Ambient/Afro Beat
Hear: www.myspace.com/lassegjertsenmusic
Hear: www.myspace.com/theidanraichelproject
THE TEENAGERS
ROBYN
Country : London/Paris,France
Country : Sweden
Style : Pop
Style : Pop
Hear: www.myspace.com/theteenagers
Hear: www.myspace.com/robynmyspace

!!?

!!?
This space is available for comic illustrators, comediants
and everyone who like to share something funny. Send
your stuff with name and country to hola@publicistas.org
with the subject “WTF”.
Arnold Grey - Ireland
From The WildBoyz

Kim - Indonesia
(“DON’T TOUCH. Male concentrated)
Renzo Gonzales - Perú
Renzo Gonzales - Perú

CHEERS!
Boyz of the Revolution

MAKE YOUR OWN
FREE MERCHANDISE
1.-
GO TO OUR WEBSITE AND DOWN-
LOAD OUR ORIGINAL LOGO IN VEC-
TOR FORMAT.
2.-
USE YOUR POWERFUL MIND AND
CREATE YOUR OWN REVOLUTIONART
STUFF.
3.-
SEND SOME PICTURES OF YOUR
STUFF BEING USED AND WE WILL
PUBLISH THEM !
G
TAS.OR
WOHOOO
ART.PUBLICIS
VOLUTION
HTTP://RE
12
9
3
6

YOUR TARGET
IS OURS
WHY DO ADVERTISING ANY OTHER WAY?
REVOLUTIONART INTERNATIONAL MAGAZINE
P L A C E Y O U R A D H E R E
hola@publicistas.org
Frequency: Every two months
Readers origin :
Price: FREE $ 0
1.Europe 28.4 %
Estimated downloads per issue:
2.South America 22.5%
12,000
3.Asia 14.2 %
Estimated viral readers per issue:
4.USA and Canada 13.1 %
40,000
5.Centroamérica 9.1 %
Distribution: All the web
6.Australia 3.4 %
7.Africa 2.5 %
P L A C E Y O U R A D H E R E
others 3.7 %
hola@publicistas.org
(stats pounded from past Issues)
Promoted in AD festivals, magazines, blogs, podcasts and lot of alliances on
Internet.

WORLDWIDE BRAND ACTIVATION
www.visualweblabs.com

needs your help to still being FREE

DONDE LOS PUBLICISTAS
HABLAMOS DE PUBLICIDAD

http://publicistas.devianart.com

http://www.flickr.com/groups/revolutionart
THIS EDITION WAS EDITED IN FRONT OF THIS RIVER.
GENERAL ROCA, RIO NEGRO, ARGENTINA.

HOW TO SEND
YOUR ARTWORK
FOR
THE
DEADLINE:
// Send your artwork in high quality jpg with name,
JUNE 15TH
2008
NEXT
country, e-mail, and website to
hola@publicistas.org
EDITION
// Size:

920 x 550 pixels (if artwork is horizontal)
460 x 550 pixels (if artwork is vertical)
OF
// It could be computer generated, photo, hand
made draw, photomanipulation, vector, raster,
scanned or any image from your creativity related
to the next issue’s theme.

NEXT THEME:
#13
This will be an edition to think about
our world’s politics. Are they right?
Are they wrong? What’s going on your
country or your continent? What’s going
on in our world?: Climate crisis, natural
resources, war, religious intolerance,
money, poverty, racism, unemployment.
Where’s the real justice and what’s the
role of politics in that? What do you think
about it? Post this convocatory in every
website and show us your message to
the world about WORLD POLITICS
Send your work until:
June 15th 2008
POLITICS
© 2008 Publicistas.Org - REVOLUTIONART
http://revolutionart.publicistas.org

Find us: http://revolutionart.publicistas.org
Say something: http://revolutionart-forum.publicistas.org
Write us: hola@publicistas.org

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