PRESENTS :



INTERNATIONAL MAGAZINE
POLITICS
ISSUE # 13
July - August 2008
EDITORIAL
presents :
Hello again! and welcome to a
reloaded edition of REVOLUTIONART.
This edition carries the message of
many people from all over the world,
inspired by events that are affecting
the planet.
Published by:
PUBLICISTAS.ORG
Many times we have heard from
people phrases like “I don’t care
changes are only possible taking care
Creative Director:
about politics” but what is its true
of them, the world would be another.
Nelson Medina
meaning?
Don’t wait for the others’ change,
nelson@publicistas.org
make a difference by yourself.
Possibly is about “I don’t care about
Contact Revolutionart:
politicians”, “The government makes
In this edition REVOLUTIONART
hola@publicistas.org
me sick” or “I don’t care what they
presents you a series of demands,
do because my opinion is so small
ideas, requests and messages that are
that it won’t change anything.”
nothing more than the voice of the
participants. We want to tell you that
If you feel reflected in any of those
Thanks to:
we can really make a difference.
thoughts is because your concept
.Brian
Viveros,
Michael
about Politics is wrong.
Dawidowicz, Joey Lawrence,
Thank you all for being part of this!
Bambi, Matt Mignanelli, Justin
Lassen, Fernanda Cohen, and all
Politics is not “them” (governments)
the contributors of the current
versus us. Is about the domain of a

edition.
power of decision that belongs to
everyone.
If a nation does not have the power
of their decisions they should fight
for it, and not depart as a loser
leaving “that others decide.”
Is a matter of principles and liberty.
In an individualistic sense is logical
------------------------------
that politics makes us sick with
Nelson Medina
the impotence of seeing so much
All the samples are propierty
Creative Director
corruption under the false impression
of their respective owners and
Publicistas.org
that we can’t do anything. But this
can’t be reproduced whithout
nelson@publicistas.org
permission.
is the same defeatist vision which
doesn’t allow change.
© 2008 Publicistas.Org
REVOLUTIONART
If each person assume that political
http://revolutionart.publicistas.org

REVOLUTIONART
CONTRIBUTORS
Issue 13
Gerardo Pérez
México
grardoperez@yahoo.com.mx
Genoveva Castellar
Aaron Robert Cox
Argentina
United States
Genoveva@margendesign.com.ar
gothjester@gmail.com
www.margendesign.com.ar
www.creativecenter.edu/student_
porfolios/Cox_Aaron/Index.html
Guillermo Torres
Argentina
Aditsaputra - Vectorforceproject
guillermotorres81@hotmail.com
Indonesia
manoalzada1981.blogspot.com
aditsaputra@gmail.com
aditsaputra.info.tm
Hale Yigit
Turkey
Amir Mor
haleyigit@gmail.com
Israel
cathshee.deviantart.com
tm10801@gmail.com
haleyigit.blogspot.com
Andy Muñoz
Ivo
Cuba
Portugal
hackndy@gmail.com
babbacanibal@hotmail.com
Andreas Nandiwardhana (Rei)
James Cattlett
Indonesia
Cristian Ruiz Santillan
United States
reimadara@yahoo.co.id
Perú
grafxart@mac.com
www.reimadara.deviantart.com
crixtiax@hotmail.com
Javier Eduardo Ramos
Andreas Krause
Chriz (Goatheadcorp)
Colombia
Germany
Indonesia
javerani@yahoo.com
admin@CreAdoping.de
xkepalaxkambingx@yahoo.com
creadoping.de/BlogHouse/
goatheadcorp.deviantart.com
Espador - Bram Vanhaeren
Joey Lawrence
Belgium
Fajar Fauzi
United States
Anderson Lopes
Daniel Olmedo
Bram@phase02.org
Indonesia
joey@joeyl.com
Brazil
Ecuador
espador.phase02.org
m4sk.inc@gmail.com
joeyl.com
ander_lopes@yahoo.com.br
olmedo.d@gmail.com
m4sk1nk.deviantart.com
www.flickr.com/photos/hydrogen_bomb/ daniolmedo.blogspot.com
Evan5
Joolz - Julien Morel
Ireland
Francesco Valerio Punzo
France
Andres F. Vergel Goez
Danny Rodriguez
ekapros@tcd.ie
Italy
hello@joolz.fr
Colombia
United States
evan5.deviantart.com
goldmund85@hotmail.com
www.joolz.fr
diacono111@yahoo.com
lucidopticlab@yahoo.com
Ezequiel Montivero
Frito
Jorge Berlato
Carlos Letona
David Pimentel (Hueso)
Argentina
Basque Country X-pain
Spain
Canada
Ecuador
Supernova.rockk@hotmail.com
antitodos@yahoo.es
jorgeberlato@hotmail.com
clphoto@videotron.ca
davidhueso@hotmail.com
montivero.deviantart.com
www.frito.mifotoblog.com
www.jorgeberlato.com

REVOLUTIONART
CONTRIBUTORS
Issue 13
Jorge Ihlenfeld
Argentina
Stefano Marra
JorgeGraf@gmail.com
Italy
www.artivista.com.ar
s.marra@njucomunicazione.com
www.webgraffitis.com.ar
www.essedesign.blogspot.com
Jorge García Crego
Terence Chan
Cuba
Scotland
jorgef@pphv.ch.gov.cu
terence@terencechan.co.uk
www.terencechan.co.uk
Julian Rodriguez
Colombia
Thowe Tastegood
julianandresrc@hotmail.com
Indonesia
tho_thrax@yahoo.co.id
Kammu
Magdalena Arguello Pitt
profiles.friendster.com/tastegood
Malaysia
Argentina
tastegood-tastegood.blogspot.com
ezmal.kushairy@sii.com
magdaarguello@hotmail.com
Tony RedMor
Leah Coghlan
Marcelo Câmara Roza
México
Canada
Brasil
tony@redmorstudio.com
lcoghlan@vistaradio.ca
Mcamara@globo.Com
www.redmorstudio.com
marcelocamara.carbonmade.com
Leonardo Ahumada
Raul Ruiz
Wilson Puerto
Chile
Marlon Darbeau
Spain
Colombia
leoahumada@mi.cl
Trinidad And Tobago
raul@lynxman.net
puertografico@gmail.com
www.blocdiseño.cl
marlon.darbeau@cmbcreative.com
Nikola Kneževic
flickr.com/photos/raul-ruiz/
www.puertografico.blogspot.com
Serbia
Liviu Tudoran
Marthacecil
nikolasvajc@gmail.com
Red Left
Vasic Djordie
Romania
Italy
www.nksdesign.ning.com
Country: Syria
Serbia
tudoran89@yahoo.com
martha.cip.ciop@tin.it
Red_communist1@hotmail.com
vasic.dj@gmail.com
Patrick Boyer
Lokesh Bandi
Martijn Grashoff
Canada
Richard Rawlins
Vinicio Trugli
India
Holland
wanted@urbancowboy.net
Trinidad and Tobago
Italy
lokesh.artist@gmail.com
mgrashoff@live.nl
urbancowboy.net
Richard.Rawlins@cmbcreative.
info@metropop.it
com
www.metropop.it
Lopyryev Art
Misteraitch
Pit Kinzer
Ukraine
Uninviting Kingdom
Germany
Saenz
Yusif Katanov
mudakisa@mail.ru
www.misteraitch.co.uk
kunstprojekte@pitkinzer.de
saenzpop@yahoo.com
Azerbaijan
mudakisa.deviantart.com
misteraitch@misteraitch.co.uk
www.pitkinzer.de
www.myspace.com/saenzpop
ykatani2@yahoo.com
YOU CAN PARTICIPATE IN THE NEXT ISSUE !



For
DUMMIES
ESC
ESCAPE FROM FULL SCREEN MODE
MOVE BETWEEN PAGES
AND DON’T FORGET TO CLICK THE LINKS !

LET’S TALK ABOUT
POLITICS


MATT MIGNANELLI
As visual communicators we are given a choice
to make a mark on issues that are affecting
Cartoonist, Illustrator.
us around the world. One topic that seems to be
Interviewed in Revolutionart #8
always coming up is Global Warming, a subject
I think is important to all of us as we can all do
our little bit each to try to make the earth a better
place. As communicators we can send a visual
message through art/design etc, to show others
that we care about what’s happening around us.
I have found that in a world where many political
decisions are decided for us, it becomes that
Lets make a mark!
much more important to search and discover
your own voice and opinions. By traveling the
world and exposing yourself to new experiences,
you broaden your world view and understanding,
allowing you to see beyond your borders. As a
visual communicator I tell my stories of the world
MICHAEL DAWIDOWICZ
as I see it, a product of my experiences and
Creator of Urban Collective.
environments.
Editor of Ventilate.
Interviewed in Revolutionart #2



We love Komang. She’s our Live-In
Maid from Indonesia and such a
nice girl. She’s part of our family. That’s
why she understands that sometimes we
can’t pay her the loan with money but
with our old clothes or we are late for
2 weeks. That’s also why she prepares
the dishes for us on her free day. That’s
what family members do for each other.
And she is alright with our rules -- no
makeup, no nail polish, no tight jeans
and don’t even think about skirts! All our
friends have a girl like Komang. We are
doing something for the poor countries.
I mean, where else could she live for free,
get food and 1,50$ an hour. Or nice old
clothes instead of money?!
We love to go to Thailand. We bring money
into this poor country. The girls there are
so nice, charming and handsome. And
so much cheaper than the girls here in
the US. For only 30$ you even get a nice
tight ass. Imagine how long she would
have to work for it over there in Thailand
to earn such an amount. We love foreign
T
women!
he world is our consciousness.
To change the world is to change only thoughts.
Now, aint that a nice new way of clean
slavery...uhm...love of course.
JOEY LAWRENCE
BAMBI
Photographer.
Model, Body Piercer.
Interviewed in Revolutionart #11
She models in Revolutionart #10



As a ‘world traveler’, I am
disheartened by the state of
affairs in the entire world. Most
people who will never leave their
FERNANDA COHEN
home town or city will not care world
travel, airport security, and rights
Graphic Artis, Illustrator.
being taken away one at a time
Interviewed in Revolutionart #1
daily, but to those brave among us
who want to explore and experience
the rest of the world, but fail to see
the connection between politics and
travel, shame on you. The world was
once a giant vast expanse, until the
arrival of technology that helped
shrink the world extensively, and
for relatively low prices, brought us
[people] together. We could conduct
business and meet new partners in
so many countries that for a brief
moment there it felt really as if we
were one people, one world. With the
recent policy changes due to those
that are in power, this one world, one
people is now returning the planet
to its old state... making it larger,
more expensive and more difficult
to maintain worldly relationships,
businesses and outward academics.
I see travel becoming supremely
expensive in the next 2-5 years,
and policy changes, affecting our
daily lives in substantial ways. The
internet although not specified,
JUSTIN LASSEN
In a world where communication is often taken
for granted and implicitly underestimated;
to me is the ‘new world’ for ‘one
where people cry out for help, politicians steal
people’ that can bring us back
Music Composer, Art director.
openly,and those who have power laugh out loud,
together. I wish more people used
Interviewed in Revolutionart #5
the only think I can hope for is that as a visual
the internet productively, like this
artist I manage to make someone think and take
magazine.
action.

POLITICS

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Vinicio Trugli - Italy


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Vinicio Trugli - Italy
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Wilson Puerto - Colombia



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Wilson Puerto - Colombia

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Marcelo Câmara - Brazil



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Anderson Lopes - Brazil
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Andreas Krause - Germany





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Carlos Letona - Canada





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Carlos Letona - Canada


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Carlos Letona - Canada



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Carlos Letona - Canada
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Carlos Letona - Canada


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Andy Muñoz - Cuba


The world is our consciousness.
To change the world is to change only thoughts.
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Joey Lawrence - United States


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Patrick Boyer - Canada



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Patrick Boyer - Canada
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Patrick Boyer - Canada



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Patrick Boyer - Canada
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Vasic Djordie - Serbia


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Vasic Djordie - Serbia


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Aaron robert Cox - United States



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Amir Mor - Israel
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Andreas Nandiwardhana (Rei) - Indonesia


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Andreas Nandiwardhana (Rei) - Indonesia



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Andreas Nandiwardhana (Rei) - Indonesia
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Andreas Nandiwardhana (Rei) - Indonesia

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Andres F. Vergel Goez - Colombia
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Andres F. Vergel Goez - Colombia

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Andres F. Vergel Goez - Colombia


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Chriz (Goatheadcorp) - Indonesia
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Hale Yiğit - Turkey


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Cristian Ruiz Santillan - Perú


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Adit Saputra - Indonesia
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Adit Saputra - Indonesia



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Daniel Olmedo - Ecuador
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Daniel Olmedo - Ecuador


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Danny Rodriguez - United States
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Danny Rodriguez - United States


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Danny Rodriguez - United States



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Danny Rodriguez - United States
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Danny Rodriguez - United States

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Danny Rodriguez - United States
David Pimentel (Hueso) - Ecuador


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Espador - Belgium

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Evan5 - Ireland



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Evan5 - Ireland
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Evan5 - Ireland



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Ezequiel Montivero - Argentina
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Fajar Fauzi - Indonesia


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Fajar Fauzi - Indonesia


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Francesco Valerio Punzo - Italy



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Frito - Spain
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Frito - Spain



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Frito - Spain
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Frito - Spain


precioso
en Puebla ganó el derecho y perdió la justicia
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Gerardo Pérez - México


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Guillermo Torres - Argentina



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Ivo - Portugal
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James Cattlett - United States


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James Cattlett - United States



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James Cattlett - United States
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James Cattlett - United States


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James Cattlett - United States


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James Cattlett - United States



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James Cattlett - United States
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Genoveva Castellar - Argentina



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Genoveva Castellar - Argentina
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Genoveva Castellar - Argentina



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Genoveva Castellar - Argentina
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Genoveva Castellar - Argentina


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Javier Eduardo Ramos - Colombia


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Joolz - France



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Joolz - France
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Jorge Berlato - Spain


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Jorge García Crego - Cuba


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Jorge Ihlenfeld - Argentina





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Jorge Ihlenfeld - Argentina



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Julian Rodriguez - Colombia
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Julian Rodriguez - Colombia


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Kammu - Malaysia


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Leah Coghlan - Canada


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Leonardo Ahumada - Chile
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Leonardo Ahumada - Chile



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Liviu Tudoran - Romania
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Lopyryev Art - Ukraine


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Lokesh Bandi - India



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Magdalena Arguello Pitt - Argentina
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Martijn Grashoff - Holland

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Marlon Darbeau - Trinidad and Tobago


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Marthacecil - Italy


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Misteraitch - United Kingdom


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Misteraitch - United Kingdom


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Misteraitch - United Kingdom


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Nikola Knežević - Serbia



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Nikola Knežević - Serbia
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Nikola Knežević - Serbia


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Pit Kinzer - Germany


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Pit Kinzer - Germany


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Pit Kinzer - Germany


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Pit Kinzer - Germany


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Pit Kinzer - Germany


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Raul Ruiz - Spain



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Raul Ruiz - Spain
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Saenz - United States


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Red Left - Syria

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Richard Rawlins - Trinidad and Tobago


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Richard Rawlins - Trinidad and Tobago


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Rodrigo Betancourt - Colombia


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Stefano Marra - Italy


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Terence Chan - Scotland


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Terence Chan - Scotland






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Terence Chan - Scotland



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Thowe Tastegood - Indonesia
Tony RedMor - Mexico


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Yusif Katanov - Azerbaijan


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Yusif Katanov - Azerbaijan


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Yusif Katanov - Azerbaijan


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Yusif Katanov - Azerbaijan


INTERVIEW WITH
BRIAN M. VIVEROS
BRIAN VIVEROS
United States





. . . P a i n f u l a r t
www.brianmviveros.com
April 2008
By Nelson Medina
nelson@publicistas.org
© all images by Brian M.Viveros


“...So, with beer in hand
and a cigarette in the
other, let the healing
powers begin. ”



Hello Brian. You’ve been in a
lot of international galleries
and exhibitions. Please, tell
us which project excited you
most?
First off, I want to say hello to all the readers
of REVOLUTIONART and I want to thank
you for this opportunity. So, with beer in
hand and a cigarette in the other, let the
healing powers begin.
The project that excited me the most
was probably preparing for my first solo
exhibition out of the country in Zurich. It
took a lot of planning since I never really
leave my studio and I’d never been out of
the country before. I really wasn’t quite
sure what to expect. It was a long thirteen
hours away from good ole Riverside. Thank
god for Ambien.
The response was incredible. It was a
great show with good energy. The people
were really cool and so excited to see
my Smoking Girls that came from such a



the Swiss flag as an element for
some of the Smoking ARM-ME
pieces I had created for the show.
I love the color Red, “A splash of
blood”, and use it in many of my
other paintings. I thought it would
be great to compliment this Swiss
Arm-ME of girls with their flag as a
band around their arm.
The following day I was invited
to the home of my favorite Artist,
Swiss surrealist H.R. GIGER. It
was truly a dream come true to
see all the things I’ve only seen in
books as a kid. We dream of these
moments, but it was so much better
great distance. I titled the exhibition
to see in person. I also got to visit
Smoking Swiss with a Twist and that’s
the Giger Museum/Bar, which was
exactly what it was. Great beer, lots
so fucking amazing! This was an
of people smoking and freaks (love
incredible experience and a project
them), then at the stroke of midnight
that I will never forget.
they played my film Dislandia on the
BIG screen in this beautiful cool ass
porn theatre. I wanted to incorporate






Why 1997 was the year that
changed the speed of your
career?
1997 was the year of my first real exhibition,
entitled DEEP INSIDE THE ART OF PORN,
that was held in Lausanne at The Musee
D’ Contemorain Pornographique, curated
by friend Les Barany, (H.R. GIGER’S
agent). He introduced my work to a wide
international audience. The exhibition
involved so many great artists and I was so
honored to be a part of the show. It was rad
because this exhibition was also published
as an Erotic book. I felt so proud to be a
part of it… I must have jacked off at least
six times. At that time I really didn’t think
too much of my work. I was mainly doing
drawings with brush and ink and I hadn’t
really honed in on my signature style. I was
surprised when I found out that my pieces
sold, they were more like hardcore graphic
illustrations than paintings, and to this day it
always makes me smile. After that, it was
time to push myself even harder and pick
up a new medium. The year was 2000 and




with the airbrush/charcoal and ink
Can you tell us about
place that makes me happy. Like Dr.
I have shit everywhere. I see my
the Smoking Arm-Me began.
your working space?
Frankenstein it is the place I bring
human skull, books, paints, brushes,
What do we see on
life and just focus on creating, away
antique furniture, antique frames all
What do you do for a
Brian’s walls and his
from all the bullshit that goes on
over the place, my DVD collection,
normal day job?
desk?
outside. Away from the spectators,
music, mannequin parts, masks,
the talkers, the ones that always say
lions, tigers, bears and cigarettes
For my day job I work as a traditional
My workspace is my garage that has
they are going to do something but
OH MY.
illustrator/creator, NO computer.
been converted into, as I like to call
don’t do shit. I love my prison and
it, my studio/ dungeon. It is the one
as I smoke and take a look around


Brian’s Studio / Photo by Jessica Chavoya(c) 2008


Tell us about “Dislandia”,
“Southern”, and your other
film projects.
Dislandia is a Psycho-drama revolving
around a young girl. She exists in a
desolate world full of dreamlike images that
range from bizarre to symbolic to erotic.
Dislandia was really my first reaction
to my distaste of the mindless film fare
that is generated these days. I respect
and appreciate anyone who is out there
making films the way they want to make
them. Expressing themselves to the fullest,
creating their own type of movement.
This excites me. The more experimental,
fucked up and surreal the better. I drink to
that. Much thanks and respect goes out to
JORODOWSKY, FERNANDO ARRABEL,
LUIS BUNUEL, WERNER HERZOG,
MAYA DEREN, STANLEY KUBRICK
and ALFRED HITCHCOCK
Southern is a Psycho-
Psychedelia mind-fuck.
It’s full of strong


visuals and characters that came from
my dreams. A lot of sleepless nights
awakened by these bizarre images that
needed to get out of my head. Since I
couldn’t sleep, I was able to get myself out of
bed, light a cigarette and sketch out, the best I
could, these things that were happening in my fucked
up mind that never really seems to shut down. In February
on the Sundance channel there was a sneak peek of Southern
which showed me and the crew and this amazing suspension
scene. We are currently in the process of finishing up Southern
right now and hope to be done in a couple months. Keeping my
fingers crossed. Panique!Panique!Panique! Oh yeah… I will be
putting the episode on my site real soon, so if you missed it,
you can watch it at
www.brianMviveros.com
Your darker themed works have a very
unique style to them, how did you first
start creating in this fashion?
My darker themed works that you are referring to would
probably be my earlier airbrushed pieces that actually
started the whole Smoking Girl series in 2000. After
studying and learning how to use the airbrush, I
wanted to concentrate on this more surreal and



kind of vintage erotic approach to the female form. Adding
a cigarette in the corner of their mouths as their signature
trademark and a piece of me. The process would go like this.
I would start free hand with the airbrush, which allowed the
piece to be much more loose and give off this sort of dream
like surreal feel. Then I would come back in with charcoal
pencil and ink over the already pretty much finished airbrush
piece juggling these three mediums back and forth till I could
capture what I was looking for. My latest paintings are done
in mixed media of oils/acrylic & airbrush.
Can you name some direct influences on
your work?
Some influences and artists I admire are H.R. GIGER,
EGON SCHIELE, BEARDSLEY, PICASSO, WARHOL,
KLIMT, MUCHA, FRAZETTA
What general emotions do you call on
when you create a character?
Strength, pain, passion



When creating an
illustration, how do you
get from that initial stab
in the dark of a concept
to the finished work?
A pack of cigarettes, a six-pack
of Papst Blue Ribbon, paper and
pencil. It all starts from the pencil.
I do a lot of sketches and ideas of
what would work and make for a
strong painting. Once I feel I have
her where she feels strong enough
and I think it’s going to work then I
start to do a really tight drawing with
graphite pencil on paper. After that,
I transfer onto Maple board, which is
really nice and smooth and none of
the girls ever seem to complain.
Then I start in with the oils very softly
over the pencil, building soft tones
really focusing on the eyes, lips and
face. I worry about the background
last. I really just try to focus on her
and what’s up front and what the



painting can show you. You see,
Fetish to me is a strong
I never went to art school, so my
excessive commitment to
process is always a little drunk
something. Something you
and backward. I never know how
bleed for everyday and you
the end result is going to be. To
just can’t live without. Mine is
me, that is the most exciting part
the mind, the ideas, trying my
of the work process and creating
hardest to execute that perfect
my Smoking girls. It all just kind
painting that is trapped inside
of comes together. After all the
my head. The fetish is the
color is pretty much laid down it
fantasy in my mind the desire
becomes a juggling act of fine-
of wanting to create more and
tuning everything with more oils/
more, an addiction. That is my
acrylic & airbrush for details. I
ultimate high. That is my fetish.
always paint the cigarette last.
So I paint and make films to
It tells me that when I finish with
keep me from going fetishisticly
hers then I can have mine and
insane HA-HA
the painting is complete; another
surreal smoking sexy girl to keep
Thank you Brian !
the Revolution and ArmMe of
Smoking Girls growing strong.
How do you define
hat’s
“fetish” and w
yours?

MODELS


M A R T I N A
Model: Martina Isikdemir
Age: 19
Country : Czech Republic
Website: www.myspace.com/marthysuicide

www.modelmayhem.com/marthylove
Photo by James Rimell




Photo by Petr Jelinek
Photo by James Rimell


Photo by Jiri Prihonsky



Photo by James Rimell
Photo by James Rimell



Photo by Martin Kocich

Photo by Petr Jelinek



Photo by Petr Jelinek
Photo by Pavel Kacmar



Photo by Jiri Prihonsky
Photo by Jiri Prihonsky


A L E X A N D R I A D R O U I N
Name: Alexandria Drouin - United States
Country: United States






A M A N D A G R E E N E
Name: Amanda Greene
Age: 22
Occupation: Model
Country: United States










N A T A S H A
Model: Natasha de Viant
Age: 24
Ocupation: Model /Performer/ Sociologist
Country: Poland
Website: www.devilangels.net
Photo by PeterPavlik



Photo by DonBastek
Photo by JanHronsky



Photo by Khaosun
Photo by Witek Berkan



Photo by Zandecki
Photo by PeterPavlik



Photo by Witek Berkan
Photo by Daniel Byrne / edit Red Man


Photo by Daniel Byrne / edit Red Man


I N K E R B E L L A
Model: Inkerbella
Age: 31
Ocupation: Model
Country: United States
Website: www.inkerbella.com






M O D E L S
BE A REAL MODEL FOR A REAL MAGAZINE
// This is the the best place
for your talent. If you are a
model
or
a
photographer,
send your best shoots and
show your work into the next
edition.


Nelson Medina
Welcome to our occasional feature telling
you what’s happening in the exciting world
of Revolutionart.
We like to introduce a new section:
“Revolutionart Motion”.An space to show the
best of audiovisual arts, motion graphics,
animation and independent films. Depending
of the results of this convocatory this
section will be permanent or ocassional. If
you’re a producer, send a still frame of
your video in jpg and a direct link to the
video on Internet to evaluate it.
Nelson Medina,
Creative Director /
Editor
nelson@publicistas.org


An horror - suspense film
by Andrés Borghi, Argentina



music















music
AMEEN
Country : Jamaica / United states
Do you have a music project? Send your project’s name, country, style, a
Style : Hip Hop
picture and a direct link to hear you music to hola@publicistas.org with the
subject “MUSIC”.
Hear: www.myspace.com/ameenabdullah
Click on the images to hear some cool stuff :
EVER LASTING
ODIO A BOTERO
Country : Bucaramanga,Colombia
Country : Bogota, Colombia
Style : Rock
Style : Punk Indie Rock
Hear: www.myspace.com/everlastingbanda
Hear: www.myspace.com/odioabotero
JEROME DEPPE AND GENTLEMEN OBSCURA
BONE40 PRESENTS JABOY FRY
Country : Baltimore,MD USA
Country : United States
Style : Experimental
Style : Soul - Hip Hop - Dub
Hear: www.myspace.com/gentlemenobscura
Hear: www.jaboyfry.com
LAND CAMERA 95
JULIA NUNES
Country : Mexico
Country : United States
Style : Bossa Nova And Acoustic
Style : Ukulele
Hear: www.myspace.com/landcamera95
Hear: http://www.myspace.com/jaaaaaaa















music
NEUROTIC DOLL
Country : Tokyo Japan
Style : Gothic / Electro / Industrial
Hear: www.myspace.com/neuroticdoll
DESTRUCT SYSTEM
HEAVEN OF BONES
Country : Tokyo Japan
Country : Montreal, Quebec Canadá
Style : Industrial / Rock / Alternative
Style : Grunge
Hear: www.myspace.com/destructsystem
Hear: www.myspace.com/heavenofbones
D-MENTE
DJ VENUS FLY TRAPP
Country : Argentina
Country : Japan
Style : Hard Rock
Style : Electrónica / Techno / Ambient
Hear: www.myspace.com/dmente1
Hear: www.myspace.com/djvenusflytrapp
KAROLINA DAWN
PENELOPE
Country : United States
Country : New Delhi, India
Style : Powerpop
Style : Trip Hop / Electrónica / Folk
Hear: www.myspace.com/karolinadawn
Hear: http://www.myspace.com/penelopespencer

!!?





!!?
Speed Dog
SMILE CONTEST
DANGEROUS
TOYS



(“DON’T TOUCH. Male concentrated)
Kim - Indonesia




YOUR TARGET
IS OURS
WHY DO ADVERTISING ANY OTHER WAY?
REVOLUTIONART INTERNATIONAL MAGAZINE
P L A C E Y O U R A D H E R E
hola@publicistas.org
Frequency: Every two months
Readers origin :
Price: FREE $ 0
1.Europe 28.4 %
Estimated downloads per issue:
2.South America 22.5%
12,000
3.Asia 14.2 %
Estimated viral readers per issue:
4.USA and Canada 13.1 %
40,000
5.Centroamérica 9.1 %
Distribution: All the web
6.Australia 3.4 %
7.Africa 2.5 %
P L A C E Y O U R A D H E R E
others 3.7 %
hola@publicistas.org
(stats pounded from past Issues)
Promoted in AD festivals, magazines, blogs, podcasts and lot of alliances on
Internet.


IS THAT YOUR BRAND?
...COULD BE BETTER
www.visualweblabs.com






PRINT THE NEXT PAGE
TO MAKE A NEW FRIEND


1 - PRINT THIS PAGE
2 - CUT N’ PASTE


needs your help to still being FREE

...We won't charge the standard rate for advertising in Revolutionart and you could exchange it for ad space.
Tell us about your product, and if it fits with this campaing you’ll receive a coupon to send us a double page advertisement
(920x550pixels), in any language and with an hiperlink to expand the information in a website... and can use it anytime you
want.
ASK FOR MORE INFO: HOLA@PUBLICISTAS.ORG

MAKE YOUR OWN
FREE MERCHANDISE
1.-
GO TO OUR WEBSITE AND DOWN-
LOAD OUR ORIGINAL LOGO IN VEC-
TOR FORMAT.
2.-
USE YOUR POWERFUL MIND AND
CREATE YOUR OWN REVOLUTIONART
STUFF.
3.-
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STUFF BEING USED AND WE WILL
PUBLISH THEM !
G
TAS.OR
WOHOOO
ART.PUBLICIS
VOLUTION
HTTP://RE
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HOW TO SEND
YOUR ARTWORK
FOR
// Send your artwork in high quality jpg with name,
THE
country, e-mail, and website to
5TH
hola@publicistas.org
DEADLINE:
AUG 1
2008
NEXT
// Size:

920 x 550 pixels (if artwork is horizontal)
460 x 550 pixels (if artwork is vertical)
EDITION
// It could be computer generated, photo, hand
made draw, photomanipulation, vector, raster,
OF
scanned or any image from your creativity related
to the next issue’s theme.

#14
NEXT THEME:
I BELIEVES
“ Religious simbols are everywhere. If you like
buddhism, christianism, paganism, satanism,
ufos, even atheism or maybe you believe in
phisical forces like enthtopy or quantum physics
or in the world itself...get your inspiration with
that. Let your beliefs rule. Revolutionart offers
a space to all our diferences to get some
enlightment with them.”
Send your artwork until:
August 15th 2008
© 2008 Publicistas.Org - REVOLUTIONART
http://revolutionart.publicistas.org


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